房庶《补亡乐书》辑考  

Research on Fang Shu's Buwang Yueshu

作　　者：刘亚男 余作胜[1] Liu Yanan;Yu Zuosheng

机构地区：[1]四川师范大学音乐学院,成都610101 [2]四川师范大学中国音乐文献研究中心,成都610101

出　　处：《音乐文化研究》2023年第2期18-23,共6页Music Culture Studies

基　　金：国家社科基金重大项目“中国古代音乐文学通史”(项目编号:17ZDA241);国家社科基金一般项目“宋代散佚乐书辑考”(项目编号:15BZW100)成果。

摘　　要：房庶《补亡乐书》是一部综论古今的乐律学著作。该书成书于宋仁宗天圣年间,皇祐二年宋祁将其上奏朝廷。从目录著录和《永乐琴书集成》等典籍引用情况看,该书大概传至明代方才亡佚。该书在流传中形成《补亡乐书总要》《乐书总要》《补亡乐书》《乐书补亡》等多个异名,并有三卷本、两卷本等版本,可见其流传较为广泛。今人关于该书为宋祁所编撰或整理的说法没有根据,乃是因误读文献而产生的不当结论。今见该书留存的佚文有三则,其他佚文尚待进一步发现和挖掘。Fang Shu's Buwang Yueshu(Addendum of Music Book)is a comprehensive work on the theory of tone-system in China.The book was written during the reign of Emperor Song Renzong(1023-1032)and was presented to the court by Song Qi in 1050.From the catalogue entries and the references to Yongle Qinshu Ji-cheng,the book was probably passed down to the Ming Dynasty under many different names,such as Burwang Yueshu Zongyao,Yueshu Zongyao,Buwang Yueshu,and Yueshu Buwang.It has three or two volumes and was spread widely.The viewpoint that the book was compiled or collated by Song Qi is unfounded and is an inappro-priate conclusion arising from misreading the literature.Three surviving anonymous texts are in the book,and others are yet to be discovered.

关 键 词：房庶 《补亡乐书》 考证 辑佚 

分 类 号：J609.244[艺术—音乐]