“同均三宫”理论在应用当中的几个问题  

Issues in the Application of Tongyun Sangong Theory

作　　者：张斌[1] Zhang Bin

机构地区：[1]山东师范大学音乐学院,北京100031

出　　处：《音乐文化研究》2023年第2期64-74,共11页Music Culture Studies

摘　　要：“同均三宫”理论在黄翔鹏先生提出后,三十多来,学者从历史考证、乐律学求证、实践验证等方面展开诸多讨论。文章认为“同均三宫”的理论要作为一种应用理论并付诸实践,需要厘清并解决清商音阶的存在情况、《白石道人歌曲》的译谱问题及转调、“同均三宫”与乐理的关系、乐谱实证及创作实践等问题。The theory of Tongyun Sangong has attracted sustained attention from academia since it was proposed by Huang Xiangpeng.In recent decades,scholars have engaged in heated discussions on historical verification,musical theory,and practical validation.This article argues that the theory of Tong Jun San Gong should be ap-plied in practice,including issues such as the existence of the Qing Shang scale,the translation of Jiang Baishi's songs,modulation,the relationship between Tongyun Sangong and music theory,empirical validation of music scores,and creative practice.

关 键 词：“同均三宫” 应用 问题 

分 类 号：J612.1[艺术—音乐]