女娲神话原型的多重转换象征——论贾宝玉形象的独特性  

The Symbol of Multiple Transformations of the Mythical Archetype of Nv Wa——On the Uniqueness of Jia Baoyu’s Image

作　　者：杨旸 杨朴[2] YANG Yang;YANG Pu(Space Engineering University,Beijing,102206;Jilin Normal University,Siping,Jilin,136099)

机构地区：[1]航天工程大学,北京102206 [2]吉林师范大学,吉林四平136099

出　　处：《山西广播电视大学学报》2023年第1期77-84,共8页Journal of Shanxi Radio & TV University

摘　　要：贾宝玉形象来源于女娲补天神话的多重转换:女娲炼石——“宝玉”——神瑛侍者——贾宝玉,这种多重转换标志了贾宝玉形象的独特性。曹雪芹通过神话的多重转换象征,把女娲补天精神转化到贾宝玉形象之中,又通过“石头记”神话的石头——“宝玉”与“宝玉”——“石头记”二元对立结构,象征了贾宝玉人生回归的原型。女娲补天神话的多重转换象征和“石头记”二元对立结构,是曹雪芹对贾宝玉形象的整体构思和整体结构;这个整体构思和整体结构所表现的思想意义,融不进“宝玉”向一僧一道要求到红尘“乐享”内容;“宝玉”乐享内容显然是后加进去的。脂砚斋对“石头记”的艺术表现有精彩绝伦之论,但是,脂砚斋并没有理解到曹雪芹运用女娲补天神话对“石头记”的原型意义,也没有理解到贾宝玉形象是女娲神话原型的多重转换象征及其意义。The image of Jia Baoyu comes from the multiple transformation of the goddess Goddess mending the sky myth:Nv Wa refined stone-“Baoyu”-goddess ying servant-Jia Baoyu;The multiple transformation of Jia Baoyu from myth marks the uniqueness of Jia Baoyu image;Cao Xueqin transformed the spirit of mending the sky into Jia Baoyu’s image through the multiple transformation symbol of myth,and through the dualistic opposite structure of“Baoyu”and“Baoyu”in the myth of“Stone Records”,it symbolized the prototype of the circular return of Jia Baoyu’s life.The multi-shift symbol of Nv Wa and the binary opposition structure of“stone record”are the whole idea and structure of Jia Baoyu image of Cao Xueqin.The ideological meaning expressed by the overall conception and structure cannot be integrated into the content of“Baoyu”asking a monk to“enjoy”the world;The content of“Baoyu”is obviously added later.The artistic expression of“Stone record”by Zhi Ink Zhai has wonderful theory,but he did not understand the prototype meaning of Cao Xueqin’s use of Nv Wa to repair the sky myth to“stone record”,nor did he understand that Jia Baoyu image is a symbol of multiple transformation of the prototype of Nv Wa myth and its significance.

关 键 词：女娲神话 贾宝玉 原型 

分 类 号：I207.411[文学—中国文学]