乔尔乔内《暴风雨》的构图之变  

Changes in the Composition of Giorgione's the Tempest

作　　者：占跃海[1] Zhan Yuehai(the School of Fine Arts,the South-Central Minzu University)

机构地区：[1]中南民族大学美术学院

出　　处：《美术》2023年第6期126-137,共12页Art Magazine

摘　　要：本文重点关注乔尔乔内的《暴风雨》“初版”到“完成版”的变化过程,该作初版创作于1506年至1508年,画面构建已臻完善,各要素的组织结构关系表明该阶段是对恩培多克勒“四根”理论的视觉诠释;作品的修改是在1509年进行的,画家用一个着衣男子代替一个裸体女子,两者之间有共同之处,即都是关于“水”的形象。该男子身上还承载了“水战胜火”的意义,这在1509年“康布雷同盟”战争初期的威尼斯人心中是尤其需要的信念。This paper focuses on changes of Giorgione's the Tempest from its "first edition" to its "final edition".Created between1506 and 1508,the first edition boasted a perfect composition,whose structure of elements demonstrated visually Empedocles' four-part theory of roots.Modified in 1509,it had the image of a naked woman replaced by a clothed man,the commonality of which was that they were both connected with "water".Besides,the man signified "water defeats fire", a belief that was particularly needed by Venetians at the beginning of the War of the League of Cambrai in 1509.

关 键 词：乔尔乔内 暴风雨 恩培多克勒 威尼斯画派 阿格纳德罗战役 

分 类 号：J213[艺术—美术]