生态忧虑和文化守望——从生态批评角度解读《银狐》  

Ecological Concern and Cultural Expectation:Interpretation of Silver Fox from the Perspective of Ecological Criticism

作　　者：巴德玛拉 杨春 Bademala;YANG Chun(School of Languages and Literature for Chinese Minorities,Minzu University of China,Beijing 100081,China)

机构地区：[1]中央民族大学中国少数民族语言文学学院,北京100081

出　　处：《唐山学院学报》2023年第4期75-79,共5页Journal of Tangshan University

基　　金：国家社科基金重大项目(15ZDB082)。

摘　　要：生态文学的叙事及其读者感知往往凸显多重危机意识与忧患意识,进而形成由动物叙事探寻生态困局解决路径的逻辑。郭雪波早年的成长经历、生活环境与草原情结为其小说拓展了生态批评的解读空间。他的作品《银狐》颠覆了人类中心主义,采用动物叙事的表述方式,展现了自然危机与人类的精神危机;在叙述社会生态与人文生态的同时,通过塑造人物形象反映了人类重建生态家园的努力;借助蒙古族传统文化资源,表达了敬畏自然、反对人类中心主义的思想。作者在《银狐》中对生态观念的强化是基于现代社会对传统文化的重视和继承,也是对当前人类家园的文化守望。可以说,《银狐》提供了解决生态忧虑的现实方案,为中国生态文学叙事树立了榜样。The narrative of ecological literature and its readers’perception often highlight multiple crisis and concern consciousness,thus forming a logic of exploring the path to solve ecological predicament through animal narrative.Guo Xuebo’s early growth experience,living environment,and grassland complex have expanded the interpretation space of ecological criticism for his novels.In Silver Fox,he subverts Anthropocentrism,adopts the expression of animal narration,and shows the natural crisis and spiritual crisis;While narrating social ecology and humanistic ecology,he reflects human efforts to rebuild ecological home by shaping character images;And more over,with the help of Mongols’traditional cultural resource,he expresses his awe of nature and opposition to Anthropocentrism.His strengthening of ecological concepts is based on the emphasis and inheritance of traditional culture in modern society,as well as the cultural expectation of the current human habitat.It can be said that Silver Fox provides a practical solution to ecological concerns and it serves as a model for the narrative of Chinese ecological literature.

关 键 词：郭雪波 银狐 生态批评 

分 类 号：I29[文学—中国文学]