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作 者:苏冉 SU Ran(College of Literature,Henan University,Kaifeng 475000,China)
出 处:《内蒙古大学学报(哲学社会科学版)》2023年第2期74-80,共7页Journal of Inner Mongolia University(Philosophy and Social Sciences)
摘 要:鲁迅短篇小说《祝福》曾多次被改编成各类戏曲作品并广泛传播,但学界对其进行分析的文章却并不多见,相关研究多集中于对越剧《祥林嫂》的探讨。通过对比不同版本的《祝福》戏剧改编作品,能窥见鲁迅小说《祝福》在进行戏剧改编时出现的情节嬗变、主题偏移及时代烙印等现象,这为鲁迅小说的改编研究提供了一个新的思路。Lu Xun's short story the New Year Sacrifice has been adapted into various operas for many times and has been widely spread,but there are few academic articles on its analysis.Related researches mainly focus on the discussion of the Shaoxing Opera Sister Xianglin.This paper aims to explore the phenomena of plot transmutation,theme deviation and era imprint in the dramatic adaptation of Lu Xun's novel the New Year Sacrifice by comparing different versions of the novel adaptations,so as to provide a new idea for the study of the adaptation of Lu Xun's novels.
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