沙县肩膀戏《打花鼓过关》音乐形态变异性研究  

On the Variability of the Musical Form of Passing the Barrier by Playing the Fengyang Flower Drum in the Shoulder Opera of Shaxian

作　　者：吴碧玲 WU Biling(School of Education and Music,Sanming University,Sanming 365004,China)

机构地区：[1]三明学院教育与音乐学院,福建三明365004

出　　处：《三明学院学报》2023年第2期100-106,共7页Journal of Sanming University

基　　金：三明市社科规划项目(22091)。

摘　　要：一首民歌因受地域文化、场合、对象、环境、自然等的诸种因素影响,从源地向其他地区传播,经民间艺人的吸收、融合、创作成当地特色的戏曲,并在历朝历代的更迭变迁中,通过传播、变异、再传播、再变异的过程被流传下来。沙县肩膀戏《打花鼓过关》就是运用了安徽民歌《凤阳花鼓》《凤阳歌》的音乐元素变异而成,对它们音乐形态进行分析,能窥探其曲式结构、调式调性、旋律节奏、歌词的变异性,形成此变异性的主要原因是演唱语言、音乐语汇和音乐审美观的差异。A folk song,influenced by various factors such as regional culture,occasion,object,environment and nature,spreads from its place of origin to other regions,is absorbed,fused and created by folk artists into a local opera,and is passed down through the process of dissemination,mutation,re-dissemination and re-variation in the course of successive generations.The Shaxian shoulder opera,Passing the Barrier by Playing the Fengyang Flower Drum,is a variation of the Anhui folk song Fengyang Flower Drum and Fengyang Song,and an analysis of their musical forms reveals the variability of their song structure,tonality,melodic rhythm and lyrics.The main reasons for this variation are the differences in singing language,musical vocabulary and musical aesthetics.

关 键 词：沙县 肩膀戏 《打花鼓过关》 《凤阳花鼓》 《凤阳歌》 

分 类 号：J617.5[艺术—音乐]