古代印度美学思想浅析  

An Analysis of Ancient Indian Aesthetics

作　　者：鲍月 Bao Yue

机构地区：[1]巴黎Ipag高等商学院

出　　处：《复印报刊资料（美学）》2019年第2期76-86,共11页Aesthetics

摘　　要：古代印度的美学是在千年的历史发展中不断发展起来的,外族的入侵使印度的文明不断融入新的元素,美学思想也是繁复而悠久,印度艺术在美学思想的影响下蓬勃发展。本文主要结合原始思维的观念、陀时期的典集以及两大史诗《摩诃婆罗多》和《罗摩衍那》来对古代印度美学以及美学于印度艺术之间的联系进行浅析。原始思维同印度美学、艺术之间互相渗透;吠陀时期的经典使印度美学趋向成熟;两大史诗的美学思想对后世的诗歌、绘画、舞蹈、雕刻等产生的深远了影响,这些都决定了印度美学的独特品格。The esthetics of ancient India was constantly developed with thousands years of history.The invasions of foreigners have continuously enabled new elements to integrate into Indian civilization,the esthetic thinking is complicated and long-standing.Indian art flourished under the influence of esthetic thinking.This article mainly combines the concept of primitive thinking,the collections of the Veda period,the two epics Mahabharata and Ramayana to analyze the Indian esthetics and the connection with Indian art.Original thinking,Indian'aesthetics and art infiltrate each other.The classics in the Veda period made the Indian esthetics go into mature,the esthetics of the two epics influence the poems,paintings,dances,sculptures of later generations.These all decide the unique character of India esthetics.

关 键 词：原始思维 吠陀 《摩诃婆罗多》 《罗摩衍那》 

分 类 号：I20[文学—中国文学]