北京红色设计发展脉络及特征价值研究  

Study on the Development Context and Characteristic Value of Beijing Red Design

作　　者：张彬 张晓新 黄超 ZHANG Bin;ZHANG Xiaoxin;HUANG Chao(School of Design Arts,Beijing Institute of Graphic Communication,Beijing 102600,China;Library,Beijing Institute of Graphic Communication,Beijing 102600,China;Capital Museum,Beijing 100038,China)

机构地区：[1]北京印刷学院设计艺术学院,北京102600 [2]北京印刷学院图书馆,北京102600 [3]首都博物馆,北京100038

出　　处：《北京联合大学学报（人文社会科学版）》2023年第4期35-43,共9页Journal of Beijing Union University(Humanities and Social Sciences)

基　　金：教育部人文社会科学研究一般项目“红色设计史研究”(项目编号:20YJA760099);北京市社会科学基金重点项目“北京红色设计资源挖掘及其精神传承”(项目编号:18KDA003)。

摘　　要：红色设计是以革命精神为核心的、有目的的艺术创作,它将红色文化通过视觉形态表现出来,成为中国共产党发展历程中呈现的红色印记。红色设计融合了马克思主义理论、政治学、新闻传播学、美术学、设计学等学科特征,从多元化的角度阐释中共党史、中国设计史。以中国共产党在北京地区的发展历史为主线,通过对1915—1949年北京红色设计的发展脉络、特征和价值进行梳理和阐述,有助于推动对红色设计的深入研究,深化对中国化时代化马克思主义的理解,增强文化自信自强。Red design is a purposeful artistic creation with a revolutionary spirit as the core,which expresses red culture through visual forms and becomes a red mark presented by the Chinese people led by CPC in the historical process of revolution,construction,and reform.Red Design integrates Marxist theory,political science,journalism and communication,fine arts,design,etc.,to explain the history of CPC and Chinese design from a new perspective.Taking the development history of CPC in Beijing as the main line,this paper focused on sorting out and elaborating the development context,characteristics,and values of red design in Beijing from 1915 to 1949,so as to promote in-depth research on red design,deepen the understanding of Marxism in the Chinese era,and enhance cultural self-confidence and self-improvement.

关 键 词：北京 红色设计 红色文化 革命精神 

分 类 号：K291[历史地理—历史学]