解构与建构——重读《印度之行》中的“东方主义”  

Deconstruction and Construction——Reinterpretation of Orientalism in A Passage to India

作　　者：彭美佳 曾卓寒 Peng Meijia;Zeng Zhuohan(School of Foreign Languages,Nanyang Normal University,Nanyang 473061;School of Foreign Languages and Literature,Beijing Normal University,Beijing 100875)

机构地区：[1]南阳师范学院外国语学院,南阳473061 [2]北京师范大学外国语言文学学院,北京100875

出　　处：《西部学刊》2023年第14期169-172,共4页Journal of Western

摘　　要：爱德华·摩根·福斯特一生中共完成了六部小说,其中《印度之行》被誉为其代表作。以该部作品为研究文本,通过分析作者对“东方主义”的有意识解构与无意识建构,进而探究其思想嬗变过程中对印度及印度人民所持的矛盾心理。尽管福斯特的作品中存在着“躲闪”和一些“难以捉摸”的东西,但其特有的跨文化经历赋予了他更为广阔的视角,使其尝试突破西方中心主义的束缚,勇于对“东方主义”的叙事传统发起挑战。Edward Morgan Foster completed six novels in his lifetime,the most famous of which is A Passage to India.Using this work as a study text,we analyze the author’s conscious deconstruction and unconscious construction of Orientalism,as well as his ambivalent attitude toward India and its people.Despite the“evasiveness”and some“elusiveness”of his writing,his unique cross-cultural experience had broadened his horizon,allowing him to break free from the limits of Western centrism and challenge the traditional narrative pattern of Orientalism.

关 键 词：《印度之行》 福斯特 东方主义 解构 后殖民 

分 类 号：I3[文学—其他各国文学] I7