新旧之间:吴梅在现代词学演化中的地位与意义  

Between the Old and the New:Stages and Meanings of Wu Mei in the Evolution of Modern Ci Studies

作　　者：曲晟畅 朱惠国[1] QU Sheng-chang;ZHU Hui-guo(School of Literature,East China Normal University,Shanghai 201100,China)

机构地区：[1]华东师范大学中文系,上海201100

出　　处：《哈尔滨工业大学学报（社会科学版）》2023年第4期95-101,共7页Journal of Harbin Institute of Technology(Social Sciences Edition)

基　　金：国家社会科学基金重大项目“明清词谱研究与《词律》《钦定词谱》修订”(18ZDA253)。

摘　　要：吴梅是现代词曲大家,最早进入大学开设词曲类课程。传统填词与现代研究的交汇,使得吴梅的词学呈现出“新旧之间”的状态,这体现在授课内容、教材体例和批评观点上。吴梅在课上教授学生填词的基本知识,同时提供“词曲合并研究”“通代词史观”等基于填词法形成的研究思路。《词学通论》在形式上与传统词话、词选相似,但在“历代词概论”部分又接近于现代词史的论述,可见吴梅将传统词学资源转化为现代词学研究。吴梅在词学批评上承袭常州词派的比兴寄托,却与当时的“四声词”“梦窗热”保持一定的疏离。这种“新旧之间”的状态,是词学由传统批评向现代研究过渡的初始阶段,也是现代词学的起步阶段。Wu Mei is a master of modern Ci poetry and is among the first to teach Ci courses at universities.As a representative of the intersection between traditional Ci poetry and modern research,Wu Mei s Ci studies exhibit a state of“between the old and the new,”as seen in the teaching content,teaching materials,and critical perspectives.In class,Wu Mei teaches students the basic knowledge of Ci poetry,while also providing students with research ideas based on Ci poetry methods,such as“the combination of Ci and music research”and“the historical view of Ci poetry through the ages.”The format of Wu Mei s General Theory of Ci Studies is similar to traditional Ci discussions and selections,but the section,the“Introduction to Ci Poetry Through the Ages”is closer to modern Ci history discourse,reflecting Wu Mei's transformation of traditional Ci resources into modern Ci discourse.In Ci criticism,Wu Mei inherits the metaphorical expression of the Changzhou School of Ci,but maintains a certain distance from the contemporary“four-tone Ci”and“craze for WuWenying”.This“between the old and the new”state is the initial stage of the transition from traditional criticism to modern research in Ci studies,and also the beginning stage of modern Ci studies.

关 键 词：吴梅 《词学通论》 词曲合并 现代词学 

分 类 号：I207.23[文学—中国文学]