朱天文:女性主义的书写与后世俗思考  

Zhu Tianwen:Feminist Writing and Thinking on the Post-secular

作　　者：刘晓宇 田泥[2] LIU Xiao-yu;TIAN Ni(College of Chinese Language and literature,Peking University,Beijing 100871,China;Institute of Literature in Chinese Academy of Social Sciences,Beijing 100732,China)

机构地区：[1]北京大学文学院,北京100871 [2]中国社会科学院文学研究所,北京100732

出　　处：《哈尔滨工业大学学报（社会科学版）》2023年第4期102-109,共8页Journal of Harbin Institute of Technology(Social Sciences Edition)

摘　　要：朱天文的女性主义话语本质上生成于叛逃世俗的欲望,与对现代性的批判紧密关联。她的女性主义写作呈现出世俗性与神性的双重维度,尤其以女性的世俗精神对抗理性霸权的父姓社会,昭示着她敏感捕捉到了后世俗社会的出现。同时,强调后世俗社会中神性的隐现,正是朱天文想象救赎的一种方式,是她激进女性主义思考的结果。作为“被压抑物的回归”,后世俗女性主义是朱天文写作的必然终点,对世俗与神性的关注潜伏于她写作的始终,并成像和表征为四个阶段的不同写作议题,使得她的写作在整体上呈现出贯连性与革命性。Zhu Tianwen's feminist discourse is essentially generated from the desire to betray the secular world and is closely related to the criticism of modernity.Her feminist writing shows the dual dimensions of secularity and divinity,especially the secular spirit of women against the patriarchal society full of rational hegemony,which shows that she is sensitive to the emergence of post-secular society.At the same time,the emphasis on the emergence of divinity in the post-secular society is just a way for Zhu Tianwen to imagine salvation and the result of her radical feminist thinking.As the“return of the oppressed”,the post-secular feminism is the inevitable end of Zhu Tianwen s writing.The concern about the secular and divine nature lurks in her writing,and is imaged and represented as different writing topics in her four stages,which makes her writing appear continuous and revolutionary on the whole.

关 键 词：朱天文 女性主义话语 女性主义写作 后世俗 女性主义 

分 类 号：H03[语言文字—语言学] H059