中国岩画研究综述  

A Review of Chinese Rock Art Research

作　　者：童永生[1] 隋安 

机构地区：[1]江南大学设计学院

出　　处：《创意与设计》2023年第3期61-68,共8页Creation and Design

基　　金：教育部哲学社会科学研究重大课题攻关项目“中国岩画学研究”(22JZD032)。

摘　　要：岩画是人类历史最为悠久、数量最为丰富、创作形式最辉煌的艺术遗产,也是远古人类活动的真实记录与写照。我国是世界上发现岩画数量最多的国家之一,这些岩画集中地反映了我国史前人类的生产、生活、宗教、文化等多方面内容。本文从中国岩画研究的理论意义、应用价值等层面分析中国岩画研究的必要性与紧迫性,进一步论述了目前学术界对于中国岩画学研究的三大趋势,并从国内外相关研究现状出发,具体梳理和总结了有关中国岩画研究的最新成果,为将来更好地开展中国岩画学研究奠定基础。Rock art,as the earliest and most brilliant artistic heritage of mankind,is also the true record of ancient human activities.China is one of the countries with the largest number of rock arts found in the world.These rock arts reflect the production,life,religion,culture and other aspects of prehistoric people in our country.This paper analyzes the necessity and urgency of Chinese rock art research from the theoretical significance and application value of Chinese rock art research,further discusses the three trends of current academic research on Chinese rock art.Based on the relevant current research situation at home and abroad,the latest research results on Chinese rock arts have be veviewed and summarized.This will lay the foundation for better research on Chinese rock art in the future.

关 键 词：中国岩画 艺术遗产 综述 

分 类 号：K879.4[历史地理—考古学及博物馆学]