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作 者:程扬 郭静 CHENG Yang;GUO Jing(Bozhou University,Bozhou 236800,China;Hefei University,Hefei 23000,China)
机构地区:[1]亳州学院中文与传媒系,安徽亳州2368000 [2]合肥学院语言文化与传媒学院,安徽合肥230000
出 处:《哈尔滨学院学报》2023年第7期77-81,共5页Journal of Harbin University
基 金:安徽省级线上线下混合式课程《网络传播与社交媒体》,项目编号:2021xsxxkc259。
摘 要:晚清时代的小说家始终坚定不移保持着传统文化的“本位主义”立场,对于叙事角度、叙事立场以及价值观念的选择保留着文学以往叙事小说的维度以及宏观价值的旨意与趣味,且采取想象的思维逻辑来对民族形象、国家形象进行构建。叙事主题的“道统”色彩、小说人物形象的固化与类型化、章回体叙事框架模式的使用、史传传统和历史叙事的侧重,均表现出晚清新小说浓郁的常规叙事特征。晚清新小说家在文本叙事方面中表现出对常规叙事的冲破与偏向,在叙事思维逻辑层面表现出对常规叙事方法的态度与多元选择。晚清新小说在叙述模式上延续了大量的叙事规则,尽管熟练度较低,不足之处较多,但其在“传统”基础上所衍生的“新”方向具备一定的文化史价值与文论史意义。The novelists in the late Qing Dynasty always maintained the“Sectionalism”position of the traditional culture,and retained the dimensions of the previous narrative novels of literature and the purpose and interest of the macro value for the choice of narrative angles,narrative positions and values,and adopted imaginative thinking logic to construct the national image and national image.The“orthodox”color of the narrative theme,the solidification and typification of the novel’s character images,the use of the“chapter style”narrative framework model,and the emphasis on historical tradition and historical narration all demonstrate the strong conventional narrative characteristics of late fresh novels.The new novelists of the late Qing Dynasty demonstrated a break through and bias towards conventional narrative in terms of textual narrative.At the logical level of narrative thinking,it demonstrates an attitude towards conventional narrative methods and diverse choices.New novels in the late Qing Dynasty continued a large number of narrative rules in the narrative mode.Although their proficiency was low and there were many shortcomings,the“new”direction derived from the“tradition”had certain value in cultural history and significance in literary theory history.
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