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作 者:卢蓉[1] Lu Rong
机构地区:[1]中国传媒大学戏剧影视学院
出 处:《艺术传播研究》2023年第2期17-26,共10页Journal of Art Communication
基 金:教育部哲学社会科学研究后期资助项目“全球文化战略视野下的电视剧比较与跨文化传播研究”(编号:19JHQ047);北京市社会科学基金重点项目“跨媒介影像实践中的新时代北京文化身份建构研究”(编号:22YTA004)的阶段性成果。
摘 要:重大现实题材电视剧创新局面的开显,以思想和审美资源的结构性开拓为基础。近十年来,这一题材电视剧在数量和质量上都持续占据优势,既有鲜明的主题导向特征,又在历史讲述与审美创造上取得了突破,屡屡掀起现象级大剧的收视高潮,为中国电视剧在新时代文化建设中引领社会风尚贡献了新鲜样例。以此为基点,努力融通传统与现代,可进一步探讨新阶段重大题材电视剧创作方法的创新,同时讨论在21世纪中国式现代化进程中,以重大主题创作为主要内容的中国叙事体系具有何种积极意义。通过总体性、心态秩序与情感图式三个维度,可以讨论新时代剧集如何开启与时代相呼应的新的思想和审美途径,充分激活文艺与现代文明型国家建构的双向互动,创建饱含中国特色和精神元气的话语体系,切实推动重大题材电视剧高质量创新发展。New innovative approaches in the creation of major TV dramas with realistic themes are structured on the development of ideological and aesthetic resources.In the past decade,TV dramas of this genre have maintained a prominent position in terms of quantity and quality.They possess distinct thematic characteristics and have achieved breakthroughs in historical storytelling and aesthetic creativity,consistently generating high viewership and setting examples of TV dramas leading social trends in the cultural construction of the new era.This paper aims to bridge the traditional and the modern,and further explore innovative methods in the new phase for creating TV dramas with major themes.Additionally,it examines the positive implications of the Chinese storytelling system focused on major themes,within the context of China's modernization in the 21st century.The paper looks at three dimensions:totality,mental order,and emotional schema,to discuss how contemporary TV series can initiate new ideological and aesthetic approaches that align with the new era.Through the reciprocal interaction between literature,art,and the construction of a modern and civilized nation,a discursive system with distinctive Chinese characteristics and vitality can be established.Ultimately,the aim is to give momentum to the high-quality innovation and development of TV dramas with major themes.
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