早期中国现代性视野下的濮舜卿生平创作再考察  

A Review of Pu Shunqing's Life and Creation from the Perspective of Early Chinese Modernity

作　　者：张彩虹[1] Zhang Caihong

机构地区：[1]浙江传媒学院

出　　处：《艺术传播研究》2023年第2期57-68,共12页Journal of Art Communication

基　　金：国家社科基金艺术学一般项目“当代中国电影文化记忆与国族认同研究”(编号:22BC044)的阶段性成果。

摘　　要：濮舜卿是伴随着五四新文化运动成长起来的现代知识女性,是中国电影史上第一位女编剧,也是著名的戏剧家和天津第一位女律师。目前关于她的研究多聚焦于她在1925—1929年间的戏剧、电影创作,无法涵盖其前半生从“教育启蒙”“戏剧、电影启蒙”到“法政启蒙”的“娜拉三态”的身份转换。对濮舜卿生平创作的再考察,要在早期中国现代性视野下展开。以“启蒙现代性”为核心,以“复合”“多元”为表征的早期中国现代性的“混沌”状态,对濮舜卿的成就与局限产生了深刻的影响。她在不同时期的职业选择与心路历程,可以作为反观早期中国社会现代化进程中有关现代性的思辨、论争及其文化症候的镜像式存在。Pu Shunqing is a modern intellectual woman who grew up with the May Fourth New Culture Movement.She is the first female scriptwriter in the history of Chinese film,a famous playwright and the first female lawyer in Tianjin.Existing research on her mostly focuses on her drama and film creation from 1925 to 1929,overlooking the earlier stages of her life and her identity transformation through the"three states of Nora"-from"enlightenment in education",""enlightenment in drama and film"to"enlightenment in law and politics".The re-examination of Pu Shunqing's life and creation needs to be carried out from the perspective of early Chinese modernity.Central to this exploration is the concept of"enlightened modernity",characterized by a"chaotic"state marked by"complexity"and"diversity",which profoundly influenced Pu Shunqing's personal development.Her career choices and internal struggles during different periods serve as a reflection of the discourses,debates and cultural issues of modernity in the process of social modernization in early China.

关 键 词：濮舜卿 “娜拉三态” 早期中国现代性 

分 类 号：I207.3[文学—中国文学] K26[历史地理—历史学] J909.2[历史地理—中国史]