抗战救亡与舞蹈传播——以全面抗战时期戴爱莲的舞蹈实践为例  

Resistance and Communication Spread through Dance——Taking Dai Ailian's Dance Practice during the War of Resistance as an Example

作　　者：贾萌萌 Jia Mengmeng

机构地区：[1]河南工业大学马克思主义学院

出　　处：《艺术传播研究》2023年第2期94-102,共9页Journal of Art Communication

基　　金：国家社会科学基金重大项目“中国近代慈善义演珍稀文献整理与研究”(编号:17ZDA203);河南省哲学社会科学规划年度项目“全面抗战时期新闻界的难民救助及舆论动员研究(1937—1945)”(编号:2022CXW021)的阶段性成果。

摘　　要：戴爱莲是我国著名舞蹈艺术家、舞蹈教育家。抗日战争全面爆发后,侨居海外多年的戴爱莲毅然选择回国,以舞蹈为武器投入抗日救亡的洪流之中。这一时期,她积极进行舞蹈创作,主动参与义演活动,参加抗战宣传实践,用舞蹈表达其满腔的爱国热情。这些舞蹈实践不仅使当时的中国舞蹈焕发出一股生机与活力,而且充分发挥了“以艺抗战”的社会功用,为民族解放事业贡献了力量。Dai Ailian was a famous Chinese dancer and educator,known as the"Mother of Chinese Dance".After the outbreak of the War of Resistance against Japanese Aggression,Dai Ailian,who had lived abroad for many years,resolutely decided to return to China and join the resistance movement with dance as her weapon.During this period,she actively engaged in dance creation,participated in charity performances,and took part in communicating the idea and practice of resistance,expressing her patriotism through dance.Dai Ailian's dance practice not only revitalized Chinese dance,but also fulfilled the social function of"resisting war with art",contributing to the cause of national liberation.

关 键 词：戴爱莲 抗战救亡 舞蹈传播 

分 类 号：J709.2[艺术—舞蹈] K265[历史地理—历史学]