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作 者:吴绪霖 易瑛[1] WU Xulin;YI Ying(College of Literature,Hunan Normal University,Changsha,Hunan 410006,China)
出 处:《城市学刊》2023年第3期72-78,共7页Journal of Urban Studies
摘 要:20世纪90年代以来,迟子建的小说不断展现出对东北城市化进程的思考。初入城市时,迟子建的创作多反映城市中人的异化现象,通过呈现城市化造成的问题表达对城市生活的拒斥与批判。此后,迟子建从对城市化问题的描绘中逐步深入,转变为对城市化的反思,思考城市化对东北女性身心造成的伤害,以一系列“失根形象”隐喻城市的“断根”状况。迟子建于21世纪以来的创作中终于展现出对哈尔滨的眷恋,提出了城市化问题的解决措施,用文字建构哈尔滨城市化历史,将东北城市凝结为诸多意象,用对人性之美的书写淡化城市化对人造成的不良影响。Since the 1990s,Chi Zijian's novels have been reflecting on the urbanization process in Northeast China.When she first moved to a city,Chi Zijian's works mostly reflected the alienation of people towards the city,expressing her rejection and criticism of urban life by depicting the problems caused by urbanization.Afterwards,Chi Zijian gradually deepened her depiction of urbanization issues and transformed it into a reflection,reflecting on the harm that urbanization has caused to the physical and mental health of women in Northeast China.She uses a series of“rootless images”as a metaphor for the“rootless”situation of the city.Chi Zijiani's works in the 21st century have finally demonstrated her affection for Harbin,proposed measures to solve the urbanization problem,constructed the urbanization history of Harbin,condensed the northeast cities into many images,and diluted the negative impact of urbanization by depicting the beauty in human nature.
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