新时代历史题材主题性创作的精神取向——以《雾都明灯——清晨的嘉陵江畔》为例  

The Orientation of History-themed Creation in the New Era:Taking the Strong Lights in the Foggy City Chongqing:on the Bank of the Jialing River in the Morning as an Example

作　　者：赵青 Zhao Qing(the Sichuan Fine Arts Institute)

机构地区：[1]四川美术学院

出　　处：《美术》2023年第7期42-45,共4页Art Magazine

摘　　要：油画《雾都明灯——清晨的嘉陵江畔》,呈现了百年党史发展中的重要时刻,彰显了在嘉陵江畔成长的一代美术家的革命情怀,反映了重庆本土学院派艺术家对主流美术创作的向心性。以主题性创作为契机,新时代美术展现了包括笔者在内的艺术家们通过语言的形式创新对主题性美术的认知和解读。并尝试以更加多元的视角,解析主题性美术创作的时代意义。The oil painting Strong Lights in the Foggy City Chongqing—on the Bank of the Jialing River in the Morning presents an important moment in the 100-year history of the Communist Party of China,highlights the revolutionary thoughts of artists who grew up around the Jialing River,and reflects the dedication of artists of local academicism to mainstream creation.Theme-based creation is an opportunity for artists,including the author,to understand and interpret theme-based art and analyze its significance in this new era from a more diverse perspective.

关 键 词：赵青 新时代美术 主题性创作 革命历史题材 

分 类 号：J213[艺术—美术]