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作 者:周鼎阳 奚为知 崔晓梅 Zhou Dingyang;Xi Weizhi;Cui Xiaomei(Jingdezhen Vocational University of Art,Jingdezhen,333400;Jingdezhen Ceramic Vocational Technical College,Jingdezhen,333000)
机构地区:[1]景德镇艺术职业大学,景德镇333400 [2]景德镇陶瓷职业技术学院,景德镇333400
出 处:《陶瓷研究》2023年第3期129-131,共3页Ceramic Studies
摘 要:青花装饰艺术历史悠久。经历史研究和出土实物可发现青花装饰从唐代开始,元代后期逐步形成,明代进入繁华时期,清代雍正时期渐弱。青花装饰工艺经过千年的发展,使陶瓷艺术设计水平也在不断提高。各时代中国地域的政治经济文化、科学技术和材料工艺提升,艺术审美都发生了质的变化,这些均对青花装饰艺术风格有巨大的影响。本文通过在不同时期的文化生活环境中青花装饰艺术风格的出现、发展到形成独特风格的影响条件和传承创新问题进行探索研究,并总结青花装饰艺术风格的特征及其发展规律来发现其对当代陶瓷设计的影响。Blue and white decorative art has a long history.Through historical research and unearthed objects,it can be found that blue and white decoration began in the Tang Dynasty,gradually formed in the late Yuan Dynasty,entered the prosperous period in the Ming Dynasty,and gradually weakened in the Yongzheng period in the Qing Dynasty.After thousands of years of development,blue and white decoration technology has continuously improved the level of ceramic art design.The political,economic and cultural development,the improvement of science and technology,materials and technology,and the artistic aesthetic sentiment of China in various times have undergone qualitative changes,which have a great impact on the style of blue and white decorative art.This paper explores and studies the influence conditions and inheritance and innovation of blue and white decorative art style from its emergence and development to the formation of a unique style in the cultural living environment of different periods,and summarizes the characteristics and development law of blue and white decorative art style to find its influence on contemporary ceramic design.
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