感知与认同:人物类纪念展览设计策略--以吴良镛学术成就展为例  

PERCEPTION AND IDENTITY:DESIGN STRATEGY OF COMMEMORATIVE EXHIBITION OF CHARACTERS-A CASE STUDY OF WU LIANGYONG'S ACADEMIC ACHIEVEMENT EXHIBITION

作　　者：罗亦鸣[1] 吴诗中[2] Luo Yiming;Wu Shizhong

机构地区：[1]湖北工业大学艺术设计学院 [2]清华大学美术学院

出　　处：《工业设计》2023年第6期24-26,共3页Industrial Design

基　　金：国家社科基金艺术学重大项目《中国共产党百年重大题材展示设计研究》(项目编号:21ZD24);清华大学文科建设双高计划国家重大需求专项《红色文化主题展示设计数字化集成与创新》(项目编号:2021TSG07001)。

摘　　要：人物类展览是通过展陈设计的方式营造名人的传承精神,通过事迹展现出一个生动的人物画像在观众眼前。通过感悟构建认同,与之建立亲切感与融合度,使观众在参观中由历史的聆听者,转变为历史的参与者和感悟者,从中获得崇高的理想信念与精神力量。文章以“金陵瑰宝,国之巨匠―吴良镛学术成就展”的策划布展工作为例,深入探讨了如何讲好人物故事,深挖人物故事背后的精神内涵,增强展览的感染力,以期使观众更好地获得参观体验。Character exhibition is to create the inheritance spirit of celebrities through exhibition design,and show a vivid portrait in front of the audience through deeds.By constructing identification through perception,establishing a sense of familiarity and integration with it,the audience can transform from a listener of history to a participant and observer of history during the visit,gaining noble ideals,beliefs,and spiritual strength.The article takes the planning and exhibition work of the"Jinling Treasure,the Giant Craftsman of China-Wu Liangyong Academic Achievement Exhibition"as an example to deeply explore how to tell character stories well,deeply explore the spiritual connotations behind character stories,enhance the exhibition's appeal,and enable audiences to better enjoy the visiting experience.

关 键 词：人物类展览 多维感知 展陈设计 设计策略 

分 类 号：TU251.3[建筑科学—建筑设计及理论]