明代山石造园中的叙事性空间与图绘研究  

A study of narrative space and iconography in Ming Dynasty mountain and stone gardens

作　　者：李婕[1] Li Jie(Fine Arts Academy,Hunan Normal University,Changsha Hunan 410012,China)

机构地区：[1]湖南师范大学美术学院,湖南长沙410012

出　　处：《山西建筑》2023年第16期166-168,172,共4页Shanxi Architecture

摘　　要：明代造园在技艺和形态上呈现出颇具特色的叙事风格。其所展现的场景和场所等元素构建起一个独特的叙事体系,通过各种手法呈现出不同的意境和意义。山水环境不仅是自然界的再现,更是人性的显现,呈现出一种独特的“心境景物”的审美特征。在设计和建造过程中,叙事学的理论也深刻影响了用山石造园的制作方式。通过明代园林图绘,讨论造园的叙事特征的同时,通过山石这个物质载体去体会特定时代的园林风格,探讨时代背景中的社会文化和人文思想,重新感知并梳理转化形成当今园林发展的实践导向。Ming Dynasty gardening presents a distinctive narrative style in terms of techniques and forms.The scenes and places it presents build a unique narrative system,presenting different contexts and meanings through various techniques.The landscape environment is not only a reproduction of nature,but also a manifestation of humanity,presenting a unique aesthetic characteristic of“landscape of the mind”.In the design and construction process,the theory of narrative also profoundly influenced the way of making gardens with mountains and rocks.While discussing the narrative characteristics of gardening through the drawings of Ming Dynasty gardens,the material carrier of rocks is used to experience the style of gardens in a particular era,to explore the social culture and humanistic thought in the context of the era,and to re-perceive and sort out the transformation into a practical orientation for the development of gardens today.

关 键 词：叙事学 明代园林 造园 掇山置石 

分 类 号：TU986.2[建筑科学—城市规划与设计]