法国当代戏剧中多媒体科技的运用  

Multimedia Technologies in Contemporary French Theater

作　　者：吴亚菲 Wu Yafei

机构地区：[1]贵州师范大学瑞士研究中心

出　　处：《戏剧（中央戏剧学院学报）》2023年第3期86-96,共11页Drama:The Journal of the Central Academy of Drama

基　　金：国家社科基金艺术学重大项目“当代欧美戏剧研究”(项目编号:19ZD10);教育部人文社会科学青年基金项目“二十一世纪法国戏剧写作的新形式研究”(项目编号:20YJC760109)阶段性成果。

摘　　要：多媒体科技于戏剧中的运用在西方舞台上已有一定历史,如今随着信息科技的迅速发展更是以越来越多样化的形式参与到戏剧创作中来,在法国尤其具有代表性。这些形式的戏剧不仅对当今时代发展作出回应,也对戏剧一些根本问题提出思考:戏剧区别于其它艺术的本质,衍生的相关概念,戏剧与科技的关系,戏剧的极限,戏剧的未来等。本文梳理法国新世纪以来舞台上多媒体运用现象,并对其进行定性研究,试图从这些现象中找到一些艺术规律与本质。The use of multimedia technologies in dramatic art has a certain history on the Western stage.The rapid development of computer technologies in recent days enables them to participate in dramaturgy in increasingly diverse forms,particularly representative in France.These forms of theater respond to the developments of the time,but also raise fundamental questions about theater:the essence of theater that distinguishes theater from other arts,concepts around theater,the relationship between theater and technology,the limit of the theater,and the future of the theater,etc.This article qualitatively reviews the use of multimedia in the early 21st century French theater and attempts to find artistic rules and natures from these phenomena.

关 键 词：戏剧本质 剧作法 多媒体科技 媒体间性 21世纪 

分 类 号：J83[艺术—戏剧戏曲]