西方文化语境中的中国书写国外研究综述——形象学中的“读者”视角  

A Brief View of Foreign Studies on Chinese Writing in the Context of Western Culture-——The"Reader's"Perspective in Imagology

作　　者：郭英杰[1] GUO Ying-jie(School of International Studies,Shaanri Normal University,Xian,Shaanxi 710062,China)

机构地区：[1]陕西师范大学外国语学院,陕西西安710062

出　　处：《青海师范大学学报（社会科学版）》2023年第1期95-102,共8页Journal of Qinghai Normal University（Social Sciences）

基　　金：国家社科基金西部项目“本土视阈下美国诗歌中的中国书写研究(1912-2020)”(21XWW006)。

摘　　要：美国诗歌中的中国书写研究不是仅论及美国诗歌和中国书写这么简单。本质上讲,该话题涉及比较文学、形象学以及世界文学的对话。尤其从形象学角度探讨中国在西方文化语境中的形象塑造时,“我”/“自我”“他者”“异国形象”与“读者”之间会形成一种错综复杂的关系网。在该关系网中,“读者”的角色往往被遮蔽和忽略。从“读者”的角度看,“我”/“自我”建构的“他者”和“异国形象”会被革命性地解构。解构的发生,意味着读者有必要从本土视阈,对西方所主观塑造的中国形象进行批判性认识和解读。从该理念出发,会发现西方文化语境中关于中国形象建构的各种论著以及文献资料里面,有五大类作品极具典型性与代表性,值得关注和讨论。The study of Chinese writing in American poetry is not simply about American poetry and writings about China/Chinese.In essence,the topic involves the dialogue between comparative literature,Imagology and world literature.Especially in the aspect of shaping Chinese image in the western cultural context from the angle of Imagology,a complex network of relationships will be conducted between"I"/"self","other","foreign image"and"reader".In this network,the role of"readers"is often obscured and ignored.From the perspective of"readers",the"other"and"foreign image"constructed by"I"/"self"will be deconstructed unexpectedly.The occurrence of deconstruction means that it is essential for readers to critically understand and interpret the Chinese image created subjectively by western scholars from the local insight.Based on this notion,there are five types of works in foreign literature that appear representative and worthy of attention and discussion.

关 键 词：美国诗歌 中国书写 异国形象 读者 他者 

分 类 号：I106.2[文学—世界文学]