红氍毹之外的印痕——再识《梅兰芳访美京剧图谱·乐器画轴》  

Traces Beyond the Red Felt:Revisiting"The Ilustrated Atlas of Mei Lanfang's Visit to the United States-Scroll of Musical Instruments"

作　　者：吴凡 Wu Fan

机构地区：[1]浙江音乐学院

出　　处：《中国音乐》2023年第4期42-49,共8页Chinese Music

基　　金：2021年度国家社科基金艺术学项目“中国传统戏剧图像史志研究”(项目编号:21BB028)的阶段成果。

摘　　要：本文聚焦齐如山主持完成的珍贵乐器画轴原件,在与《梅兰芳访美京剧图谱》(增订版)相关内容比较的基础上,从画作探微、内容爬梳、中英表述、文本阐释四个方面,探究其整体结构和历史价值,并基于之外的声音理念与文化自觉,进一步透析中国传统文化的传播和赓续。In comparison to"A Collection of Illustrative Plates of Beijing Opera Performed During Mei Lanfang's Visit to the United States",this article focuses on the musical instrument diagram created by Qi Rushan,considering it as a crucial component for examination.The article explores the drawing method,classification method,and presentation concept employed in the diagram,while incorporating the perspective of music iconology to analyze its cultural structure and distinctive historical value.Additionally,by examining the concept of sound and cultural consciousness beyond performance,the article delves into the dissemination and preservation of traditional Chinese culture.

关 键 词：齐如山 乐器画轴 梅兰芳访美 文化自觉 

分 类 号：J605[艺术—音乐]