研读文献资料 分析音乐本体——以京韵大鼓曲目《迎春曲》的词曲编创为例  

Analyzing Musical Noumenon Through Literature Review:A Case Study of the Composition and Creation of the Jingyun Dagu"Spring Melody"

作　　者：商树利[1] Shang Shuli

机构地区：[1]沈阳音乐学院

出　　处：《中国音乐》2023年第4期65-71,共7页Chinese Music

基　　金：2021年度辽宁省经济社会发展合作课题:《音乐院校开展“曲艺音乐”课程思政的素材与路径研究》(课题编号:20211slzhzwzz-01)的阶段成果。

摘　　要：文章运用文献考证和音乐本体对比分析方法,剖析京韵大鼓曲目《迎春曲》,旨在阐明音乐学(曲艺音乐分析)的教学方法,既强调“口述史”等文献研读的必要性,同时倡导音乐本体分析不可或缺,应实现研读与分析并重。以此为例,进而粗浅探讨如何在音乐院校深入开展“曲艺音乐”课程思政的素材与路径研究的问题。This paper employs literature research and music ontology comparative analysis to examine the Jingyun dagu"Spring Melody":The research aims to elucidate the teaching methods of musicology,particularly the music analysis of Quyi.It highlights the importance of incorporating literature studies such as"oral history"and underscores the indispensability of music ontology analysis,emphasizing the need for both study and analysis.Using this repertoire as a case study,the paper delves into conducting comprehensive research on the content and approach of the"Quyi Music"curriculum,with a particular focus on ideology and politics in music colleges.

关 键 词：京韵大鼓 骆玉笙 迎春曲 音乐学教学法 课程思政 

分 类 号：J644[艺术—音乐]