宋代素髹花口漆器圈叠法木胎制作工艺考析  

Analysis on the production technology of wood body by circle stacking method of lacquer ware with petal shape in the Song Dynasty

作　　者：蔡颖凝 Cai Yingning

机构地区：[1]扬州大学,江苏扬州225009

出　　处：《中国生漆》2023年第2期30-33,共4页Journal of Chinese Lacquer

基　　金：2021年江苏省研究生科研创新项目“江南地区漆器装饰款识发展考—以宋代运河城市扬州为例”(KYCX213184)的研究成果。

摘　　要：宋代素髹花口漆器为宋代素髹漆器的主要代表,其造型独特,反映了宋代漆器清新朴素的时代特征,艺术性与功能性兼具,联接宋代审美文化。本文以宋代素髹花口漆器为主要研究对象,对器物特点、制漆工艺过程进行阐述并针对漆器的圈叠法工艺进行研究,剖析工艺产生原因。旨在通过宋代传统工艺的探索为当下漆器制作技术的传承与创新提供新思路。prime painted lacquer with petal shape lacquer ware was the typical of the kind in Song Dynasty which only has decorative lacquer.The unique shape reflects the delicate and simple characteristics of the times of the Song Dynasty and also reflects the aesthetic culture of Song Dynasty with artistic and functional style.The article studies the features,producing process of this prime painted lacquer,especially on its circle stacking technique so as to provide new ideas for the inherent and creative of lacquer ware making techniques though understanding the traditional craft technique process.

关 键 词：宋代 花口漆器 圈叠法 工艺 

分 类 号：J527[艺术—艺术设计] K244[历史地理—历史学] K876.7[历史地理—中国史]