从苏区到延安——《在延安文艺座谈会上的讲话》文艺思想探源  

From Soviet Areas to Yan-an:Exploring the Source of Thought on Literature and Art in Mao Zedong's“Talk at the Yan-an Conference on Literary and Art”

作　　者：付甜甜 Fu Tiantian(School of International Education,Shandong Technology and Business University,Yantai 264005,Shandong,China)

机构地区：[1]山东工商学院国际教育学院,山东省烟台市264005

出　　处：《文艺理论研究》2023年第3期15-22,共8页Theoretical Studies in Literature and Art

基　　金：山东工商学院博士启动基金项目“延安文艺话语的创造性生成”[项目编号:BS202142];国家社科基金艺术学重大项目“中国近代以来艺术中的审美理论话语研究”[项目编号:20ZD28]阶段性成果。

摘　　要：与左翼文艺主要以理论文章彰显其文艺思想不同,苏区的文艺思想以更为隐性的两种方式呈现:其一,蕴含在各种政策、决议、规章、制度等文件中;其二,体现在有组织的文艺实践活动中。在苏区,文艺实践作为文艺理论的一种极致化呈现形态而广泛存在。苏区文艺理论与《在延安文艺座谈会上的讲话》有着更为深层的联系,是《讲话》形成的重要基础。这一方面体现在《讲话》所肯定的来自苏区的文艺思想上,如文艺的工农兵方向及如何实现这一方向、文艺为政治服务、文艺批评的标准等;另一方面也体现在《讲话》所批评的来自亭子间的一些不良文艺作风上。Different from left-wing literature and art,which mainly highlighted literary and artistic thought through theoretical articles,the literary and artistic thought in Soviet areas were presented in two more indirect ways:manifested in various documents such as policies,resolutions,rules,and regulations,and embodied in organized literary and artistic practices and activities.In Soviet areas,literary and artistic practices and activities widely existed as an extreme form of literary and artistic theory.The theory of literature and art in Soviet areas had a deep,close connection with Mao Zedong's“Talk at the Yan-an Conference on Literary and Art”,and formed an important basis for the generation of the“Talk”.This was reflected in the affirmation of the literary and artistic thought in Soviet areas in the“Talk”,such as the direction of workers,peasants and soldiers in literature and art and the way to achieve this direction,the service of literature and art to politics,and the standards of literary and artistic critique.It was also reflected in some problematic literary and artistic styles from the urban areas criticized by the“Talk”.

关 键 词：苏区文艺 延安文艺 《讲话》 马克思主义文论 

分 类 号：I200[文学—中国文学]