郭小川的诗歌困境与“十七年”诗歌批评生态  

The Dilemma of Guo Xiaochuan's Poetry and Criticism Ecology of"Seventeen Years"Poetry

作　　者：巫洪亮 Wu Hongliang

机构地区：[1]龙岩学院师范教育学院

出　　处：《中国文化研究》2023年第2期124-136,共13页Chinese Culture Research

基　　金：国家社会科学基金项目“中国当代诗歌副文本资料整理与研究(1949-1966)”(15XZW029)的阶段性成果。

摘　　要：在1949—1966年政治与文化相互胶合的文学语境下,郭小川因创作和发表一系列诗作而陷入精神困境之中。在郭小川诗歌创作、传播和接受的过程中出现了两大“有意味”的诗歌批评圈,“私人批评圈”的体验式审美批评既持续有效地激发了郭小川探求蕴藉个体生命体温和“嘈杂声音”的诗歌图式,又让他渐趋闯入充满未知风险的创作“迷阵”;“解放区批评圈”的批评不仅隐蔽而深刻地规训与重塑着郭小川“追新逐变”的诗歌理念,同时也击垮了他进行精神探险和诗歌实验的自信。郭小川的诗歌困境从一个侧面真实呈现了当代诗歌批评“圈子化”现象的诸多问题与弊端。Guo Xiaochuan fell into the mental difficult position because of some ill-timed poems,in the literature context of politics mixed with culture in 1949-1966.There were two circles of poetic criticism in the process of creation,propagation and reception of Guo Xiaochuan's problematic poems.The experiential and aesthetic criticisms of"private criticism circle"not only continuously inspired Guo Xiaochuan to write poetry which flled with warmth and dissonance,but also made him gradually break into mazes of creation which was filled with unknown risks.The political criticisms of"Liberated zone criticism circle"not only deeply disciplined Guo Xiaochuan's original poetic concept,but also fought against his self-confidence of spiritual exploration and poetry experiment.The dilemma of Guo Xiaochuan's poetry actually embodied the abuses and problems of criticism ecology of the"seventeen years""poetry.

关 键 词：“十七年”诗歌 郭小川 批评生态 诗歌批评圈 

分 类 号：I22[文学—中国文学]