“裸脸者”“异邦异族”“卡桑德拉”与“恶之花”——论徐小斌小说中的女性形象  

“The Naked Face”,“Woman the Alien”,“Cassandra”and“The Flower of Evil”:On Female Images in Xu Xiaobin’s Novels

作　　者：李燕妮 LI Yanni(School of Culture and Art,Chengdu University of Information Technology,Chengdu 610103,China)

机构地区：[1]成都信息工程大学文化艺术学院,成都610103

出　　处：《常熟理工学院学报》2023年第4期74-81,共8页Journal of Changshu Institute of Technology

基　　金：国家社会科学基金项目“中国现代文学批评编年史(1907-1949)”(20BZW142);成都信息工程大学引进人才科研启动项目“中国当代文学中的‘气象书写’及其生态关怀研究”(KYTZ2022118)。

摘　　要：当代作家徐小斌的《双鱼星座》《羽蛇》《别人》等作品,体现着细腻深刻的性别思考、高度自审的女性意识及紧扣时代的批判精神。在徐小斌看来,中国社会中数千年男权文化的浸淫使女性将来自于社会的、男性的要求内化为女性自身的主动选择,从而使女性将外部的、文化的压抑内化为自我潜意识中的压抑。在女性生存的此种现实困境之下,徐小斌以饱含温情的笔触,为女性提供了跨越父权藩篱、打破男性霸权的契机。她还原了女性真实的生命经验,并在小说中建构起“裸脸者”“异邦异族”“卡桑德拉”与“恶之花”等血肉生动的女性形象,从而为当代文学中关于女性形象的书写与塑造提供了一套值得借鉴的范式。Common to fictions by the contemporary writer Xu Xiaobin,such as Pisces,Feathered Serpent and Others,is a delicate yet profound gender thinking,a highly self-reflective female consciousness,as well as a critical spirit in answer to the demands of the time.In Xu Xiaobin’s view,thousands of years’immersion in a patriarchal culture has implicitly embedded social and male demands into female consciousness to such that they come out as if they are their their own free choices.The effect is unmistakably this:external and cultural repressions are transformed into into depression in the subconscious.Against this survival predicament for the female,Xu Xiaobin presents the female an opportunity to overcome the barriers of patriarchy and break male hegemony with a touch of tenderness.Female characters in her novels are back to life experiences are they unfold.It is through the construction of vividly depicted female images in fictional writings such as the Naked Face,Woman the Alien,Cassandra and the Flower of Evil that values of a paradigmatic reference suggest their own for female writing and female character shaping in contemporary literature.

关 键 词：徐小斌小说 女性形象 女性意识 性别反思 

分 类 号：I206.7[文学—中国文学]