论《鬼魂之路》的多重记忆与非自然叙事元素  

On the Multiple Memories and Unnatural Narrative Elements in The Ghost Road

作　　者：朱彦[1] ZHU Yan(School of Foreign Languages,Soochow University,Suzhou 215006,China)

机构地区：[1]苏州大学外国语学院,江苏苏州215006

出　　处：《常熟理工学院学报》2023年第4期82-87,116,共7页Journal of Changshu Institute of Technology

基　　金：江苏省社会科学基金项目“帕特·巴克尔小说后记忆书写研究”(19WWB002)。

摘　　要：《鬼魂之路》是英国当代著名女作家帕特·巴克尔的代表作。这部布克奖获奖小说通过展现多重记忆实现了多重时空的并置,同时,小说中非线性的时间结构、多重叙述、第一人称和第一人称复数叙事、不可靠叙述等叙述策略均体现出非自然叙事学首倡者布莱恩·理查森所提出的非自然叙事的特点。这些叙事者层面的反模仿的非自然叙事策略共同建构了小说的多重对话性,给予了曾经被忽视的群体以言说的可能,体现了作家从当代视角对英国历史的重新审视和思考。The Ghost Road is the masterpiece of Pat Barker,a celebrated contemporary British female writer.This Booker Prize-winning novel realizes the juxtaposition of multiple space-time by displaying multiple memories.Meanwhile,the novel’s nonlinear time structure,multiple narrations,first-person narration and“we”narration,unreliable narration and other narrative strategies,they all reflect the characteristics of unnatural narration put forward by Brian Richardson,the founder and main proponent of unnatural narratology.All these anti-mimetic unnatural narrative strategies at the narrator level co-jointly helped construct the novel’s multiple dialogicality,hence providing chances to speak for those communities long overlooked while reflecting the author’s own deep thinking on British history from a contemporary perspective.

关 键 词：帕特·巴克尔 《鬼魂之路》 非自然叙事 对话性 

分 类 号：I106.4[文学—世界文学]