以文学史之名重释文学、现代与中国——评《哈佛新编中国现代文学史》  

Reinterpreting Literature,Modernity,and China in the Name of Literary Historiography:Comments on A New Literary History of Modern China

作　　者：刘涛 LIU Tao(College of Arts,Jiangsu Normal University,Xuzhou 221116,China)

机构地区：[1]江苏师范大学文学院,江苏徐州221116

出　　处：《常熟理工学院学报》2023年第4期103-110,共8页Journal of Changshu Institute of Technology

基　　金：国家社会科学基金青年项目“历代魏晋风度图像谱系研究”(21CZW017)。

摘　　要：本文从文学、现代、中国三个维度出发,分析《哈佛新编中国现代文学史》是如何以颠覆性的述史方式重释中国现代文学史的。这部著作以文学史的视角重新锚定“文学”的内涵,重新审视既往对现代性的认知,重新界定现代“中国”的文化边界。它希冀于以全新的述史观念革新中国现代文学史的传统书写模式。然而,我们也应当清楚地认识到,这种改写仍然是以西方话语为主导的。故而,如何构建并革新我们自己的文学史观念就成为这部著作给予我们的最大启示。From the triple perspective of literature,modernity and China,this paper analyzes how A New Literary History of Modern China reinterprets the history of modern Chinese literature in a subversive way.The work under review represents an attempt,from a literary historiography perspective,at re-anchoring the connotation of“literature”,re-framing long-held understandings of modernity and,redefining the cultural boundaries of modern“China”.The expressed hope is a reformation,by way of a completely new historiography,of the conventional writing mode of modern Chinese literary history.However,reason informs that such a rewriting is still dominated by western discourse.Therefore,how to construct and innovate our own literary history concept has become the greatest inspiration given to us by this work.

关 键 词：《哈佛新编中国现代文学史》 文学史 现代性 

分 类 号：I206[文学—中国文学]