从“天柱”到“树”——矶崎新建筑作品中的延续性  

From“Mihashira”to“Tree”:The Continuity in Architectural Works of Arata Isozaki

作　　者：赵浩洋 韩雨菲 Zhao Haoyang;Han Yufei

机构地区：[1]武汉理工大学土木工程与建筑学院

出　　处：《城市建筑》2023年第13期169-172,共4页Urbanism and Architecture

摘　　要：“天柱”是矶崎新在第一手法主义时期常用的建筑形式,“树”与“林”的有机形式是矶崎新在21世纪初进行的探索。从“天柱”到“树”的演变过程体现出矶崎新建筑创作中的手法延续性,同时表现了矶崎新融合日本传统和时代特性的折衷理念。因此,文章从日本文化中的“神柱”出发,分别梳理矶崎新以“天柱”到“树”为手法创作的建筑作品,以此探索矶崎新在六十余年的创作历程中不断延续和发展的建筑形式。“Mihashira”is the architectural form commonly used by Arata Isozaki in the period of Mannerism.The organic form of“tree”and“forest”is the exploration of Arata Isozaki in the early 21st century.The evolution from“Mihashira”to“tree”reflects Isozaki’s continuation of techniques in his architectural creations,as well as his eclectic concept of integrating Japanese traditions with the characteristics of the times.Therefore,the paper starts from“Mihashira”in Japanese culture,and sorts out the architectural works created by Arata Isozaki in the way of“Mihashira”and“tree”,so as to explore the continuation and development of architectural forms in the course of more than 60 years of architectural creation of Arata Isozaki.

关 键 词：矶崎新 建筑作品 手法主义 有机形式 

分 类 号：TU-86[艺术—艺术设计]