敦煌艺术影响下现代壁画“民族性”绘画语言的建构  

The Construction of modern mural "nationality" language under theinfluence of Dunhuang Art

作　　者：冯丽娟 Fenglijuan(Hexi University of the Arts,Gansu,734000)

机构地区：[1]河西学院美术学院,甘肃张掖734000

出　　处：《内蒙古艺术学院学报》2023年第2期137-144,共8页Journal of Inner Mongolia Arts University

基　　金：甘肃省社科规划项目“敦煌艺术的价值延伸与再生探索研究”(项目编号:2022YB076)的阶段性成果;教育部人文社会科学研究一般项目“敦煌石窟植物纹的类型与演变研究”(项目编号:19YJC760019)的阶段性成果。

摘　　要：20世纪40年代,美术家集群性的走进敦煌,展开了对敦煌艺术与学术的研究发端。此举扩大了民众对晋唐中国绘画艺术的历史认知,更为现代中国美术重塑“传统”提供了学术资源与精神动力。此后,敦煌艺术持续影响着美术家们对传统艺术现代转化的思考与实践,敦煌艺术所折射出的民族风格与民族精神,匹配着中国社会对现代壁画“开启民智”“重铸国魂”的时代诉求。这种双向的精神互动,是求于外的外化拓展以及求于内的自我完善,延续传统文化的复归,影响着现代中国壁画“民族性”绘画语言的建构,也实现了敦煌艺术全新再生的路径探索与精神激励。In the 1940s,artists came to Dunhuang in a group and started the research on Dunhuang art and learning.This act traces back to the national spirit contained in the art of the Jin and Tang dynasties in ancient China,and provides academic resources and spiritual impetus for the reconstruction of“Tradition”in modern Chinese art.Since then,Dunhuang art has continuously influenced artists'thinking and practice of the modern transformation of traditional art,reflecting the national style and spirit of Dunhuang art,matching the Chinese society to the modern murals“Open the people's wisdom”“Recast the national soul”of the times.This kind of two-way spiritual interaction is seeking external expansion and seeking internal self-improvement,continuing the return of traditional culture,affecting the construction of modern Chinese murals“National”painting language,also has realized the Dunhuang art brand-new regeneration path exploration and the spiritual inspiration.

关 键 词：敦煌艺术 中国壁画 民族风格 寓形寄意 叙事中国 

分 类 号：J20[艺术—美术]