时代语境与西藏当代艺术发展浅议——以拉萨“甜茶馆画派”为例  

On the Development of Tibetan Contemporary Art in the Context of The Times--A Case Study of"Sweet Teahouse Painting School"in Lhasa

作　　者：罗旦 萍措卓玛 Loten;Pingtso Droma

机构地区：[1]西藏社会主义学院 [2]不详

出　　处：《西藏艺术研究》2023年第1期59-63,126,共6页Tibetan Art Studies

摘　　要：本文聚焦在20世纪80年代西藏当代艺术发展进程中出现的现象级艺术家团体“甜茶馆画派”,“西藏当代美术”概念即由该画派首次提出。简要梳理当时西藏社会发展背景中的若干因素,探讨其作为“西藏当代艺术”的先驱所发生发展的特殊时代语境及当下当代艺术对西藏文化产业发展的作用。The development of modern and contemporary art in Tibet began after the peaceful liberation of Tibet in 1951.This paper focuses on"the Group of Sweet Tea House",a phenomenal-class group formed spontaneously by artists in the process of Tibetan contemporary art in the 1980s.This group also proposed the concept of"Tibetan contemporary art"for the first time.By analyzing multiple background factors such as the context of the time,social economy and the development of domestic literature and art at that time,the paper aims to explore the development process of Tibetan contemporary art pioneered by"the Group of Sweet Tea House"and its continuous influence on the promotion of Tibetan cultural industry and the emancipation of social thought.

关 键 词：甜茶馆画派 西藏当代艺术 “八五”美术新潮 西藏文化产业 

分 类 号：J2-3[艺术—美术]