北朝山水文学与集体记忆书写  

Landscape Literature in Northern Dynasties and Collective Memory Writing

作　　者：胡大雷[1] 辛梓 HU Da-lei;XIN Zi

机构地区：[1]广西师范大学文学院,广西桂林541001

出　　处：《中南民族大学学报（人文社会科学版）》2023年第7期143-151,187,共10页Journal of South-Central Minzu University (Humanities and Social Sciences)

基　　金：国家社会科学基金后期资助项目“十六国北朝文学纪事”(22FZWB014)。

摘　　要：北朝山水文学以山水为题材,以景物描摹为基础,以集体记忆书写为特点。其一,祭祀之文表达“礼报”山水的“敬”与“求”,叙写远古以来对山水的集体文化记忆,由此奠定了北朝山水审美的基调。其二,多叙写集体审美记忆中的山水形态,而将个人的山水体验融入其中。其三,多引入玄思,以古来哲思者的集体记忆传达着当前的人生价值。其四,叙写自然山水间的人工建筑,期望对山水的种种开发获得集体认同。其五,崇尚在山水中展开文学活动,与山水同在,以此为山水文学的记忆方式。以上这些内容也是集体记忆给予北朝山水文学的原创动力,北朝山水文学由此体现出与自然和谐、共生、共思、共创的民族精神。Landscape literature of the Northern Dynasties revolves around the theme of landscapes,with a foundation in depicting scenery and a characteristic of collective memory writing.Firstly,ceremonial texts express the“respect”and“seeking”of mountains and rivers through rituals,depicting the collective cultural memory of landscapes since ancient times,thus establishing the aesthetic tone of landscape literature in Northern Dynasties.Secondly,it often portrays the forms of landscapes from collective aesthetic memory while incorporating individual experiences of landscapes.Thirdly,it frequently incorporates profound thoughts to convey contemporary values through the collective memory of ancient philosophers.Fourthly,it describes human-built structures within natural landscapes,aiming to obtain collective recognition for various developments in landscapes.Lastly,it advocates for literary activities in the midst of landscapes,emphasizing coexistence with landscapes as a way of remembering through landscape literature.These aspects provide the creative drive for landscape literature,reflecting the ethnic spirit of harmony,symbiosis,shared contemplation,and co-creation with nature.

关 键 词：山水文学 刊山勒铭 集体记忆 玄思 

分 类 号：I206.392[文学—中国文学]