从“无我”到“有我”——燕梦卿与薛宝钗形象比较  

From“anatta”to“ego”——Comparison of the characters between Yan Mengqing and Xue Baochai

作　　者：吕婷 LV Ting(Beijing Language and Culture University,Beijing 100083 China)

机构地区：[1]北京语言大学中华文化研究院,北京100083

出　　处：《新余学院学报》2023年第4期82-88,共7页Journal of Xinyu University

摘　　要：《林兰香》与《红楼梦》都是明清小说中的家庭题材作品,燕梦卿与薛宝钗分别是两部作品中重要的女性形象,二者在才貌、性格以及婚姻悲剧方面具有相似性。但是从女性自我意识的角度来看,二者有着极大的不同:燕梦卿无论是为女还是为妇,都是一个甘愿牺牲自我、步步退让的奉献者,即“无我”;而薛宝钗则在不同阶段都表现出了强烈的自我和独立意识,即“有我”。通过文本分析和人物对比,分析了《红楼梦》作者曹雪芹在薛宝钗身上所赋予的女性观的进步意义。Lin Lanxiang and A Dream of Red Mansions are both family-themed works in the novels of the Ming and Qing dynasties.Yan Mengqing and Xue Baochai are the important female characters in both workss,and they share similarities in talent,personality,and marriage tragedy.However,from the perspective of female self-consciousness,there are significant differences between the two:Yan Mengqing,whether as a girl or as a woman,is a devotee who is willing to sacrifice herself and give way step by step,that is,“anatta”;Xue Baochai,on the other hand,demonstrates a strong sense of self and independence at different stages,that is,“ego”.Through text analysis and character comparison,this paper analyzes the progressive significance of the female perspective endowed by the author of A Dream of Red Mansions,Cao Xueqin,on Xue Baochai.

关 键 词：《林兰香》 《红楼梦》 燕梦卿 薛宝钗 女性意识 

分 类 号：I207.4[文学—中国文学]