《姑苏杂咏》与高启的苏州书写  

Gusu Zayong and Gao Qi’s Suzhou Writing

作　　者：刁生虎[1] 弓少潇 Diao Shenghu;Gong Shaoxiao(Faculty of Arts,Communication University of China,Beijing China,100024)

机构地区：[1]中国传媒大学人文学院,北京100024

出　　处：《地方文化研究》2023年第1期1-10,共10页Local Culture Research

基　　金：北京市习近平新时代中国特色社会主义思想研究中心暨北京市社会科学基金重点项目“和:中华民族的文化基因”(项目编号:21LLZXBO86)阶段性研究成果。

摘　　要：《姑苏杂咏》是明代诗人高启盛年辞官归隐之作,作为地方杂咏诗,具有高度的历史地理文化价值。高启对苏州的山水人文景观和历史人物事迹作了歌咏,既有真实叙写,亦有想象之词,展现了诗人眼中的苏州印象。在高启笔下,苏州既是寄情山水、怀古伤今之地,又是承载亡国记忆的感怀之域、尚礼与崇武精神并存之所,更是道教与佛教文化双栖之城。苏州丰富的城市模式使其在潜移默化中形成了淡然自适、自由不拘的城市文化内涵。《姑苏杂咏》中的苏州书写,必将丰富世人对苏州历史及地理文化的认知。Gusu Zayong is a collection of poems written by Gao Qi,a poet in the Ming Dynasty,during his seclusion after resignation.As a collection of local miscellaneous poems,it has high historical and geographical cultural value.Gao Qi depicted the natural and cultural landscapes,and historical figures of Suzhou,both truthfully and imaginatively,reflecting his impression of Suzhou.In Gao Qi’s poems,Suzhou is not only a city where one can abandon himself to nature,remembering the past and feeling sadness for the present,but also a city that carries the memory of the country’s downfall.In addition,in the city of Suzhou,the spirits of advocating etiquette and military force are compatible,and Taoist and Buddhist cultures coexist.Suzhou’s rich urban models have gradually formed the connotation of urban culture,which is tranquil,comfortable and free.The writing of Suzhou in Gusu Zayong will undoubtedly enrich people’s understanding of Suzhou’s historical and geographical culture.

关 键 词：《姑苏杂咏》 高启 苏州 地域文化 

分 类 号：G122[文化科学]