西方现代艺术背景下的贝聿铭建筑实践  

I.M.Pei's Architectural Practice in the Context of Western Modern Art

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作  者:李智玮 

机构地区:[1]武汉理工大学

出  处:《建筑与文化》2023年第8期47-49,共3页Architecture & Culture

摘  要:文章结合贝聿铭的教育经历与实践背景,对其各个阶段的实践作品进行分析,分别讨论其作品所受西方现代艺术的影响,揭示贝聿铭在现代主义建筑发展遇到困难时,继承和发展现代主义建筑的过程。总结了贝聿铭以中国传统文化为底色,借鉴西方现代艺术技法,使现代建筑融入城市历史环境的特征,以期从新的视角来认识贝聿铭的建筑实践作品。This paper based on the educational experience and practical background of Ieoh Ming Pei,analyzes his practical works in each stage,discusses the influence of Western modern art on his works,and reveals the process of inheriting and developing modernist architecture when Ieoh Ming Pei encountered difficulties in the development of modernist architecture.This paper summarizes the characteristics that Ieoh Ming Pei took Chinese traditional culture as the background,borrowed Western modern art techniques,and integrated modern architecture into urban historical environment,in order to understand Ieoh Ming Pei's architectural practice works from a new perspective.

关 键 词:贝聿铭 立体主义 纯粹主义 构成主义 

分 类 号:TU-86[艺术—艺术设计]

 

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