媒介变革下山水画的转型与非遗传承——以宋俊杰刀笔油画为例  

The Transformation and Non-inheritance of Landscape Painting under the Change of Media:Taking Song Junjie's Oil Painting with Brush and Knife as an Example

作　　者：郑淼[1] 王文俊 

机构地区：[1]大连理工大学建筑与艺术学院

出　　处：《建筑与文化》2023年第8期255-257,共3页Architecture & Culture

摘　　要：刀笔油画简称刀画,是使用画刀在画布上对颜料削减成型从而刻画山水的一种绘画方式。刀画源于20世纪70年代末,由宋万清老先生始创于吉林省敦化市,之后在其子宋俊杰的推广下,作为州级非物质文化遗产的刀笔油画,近年来发展壮大,遍布祖国各地。文章通过分析刀画的媒介材料、创作理念、绘画方式等,来剖析媒介变革影响下山水画的独特性转变以及非遗传承的可持续性发展,为未来山水画多样性实践和传承提供参考与借鉴。Oil painting with knife and brush,referred to as knife painting,is a kind of painting method that uses a painting knife to cut and shape the pigment on the canvas to depict Chinese landscape.Dao painting originated in the late 1970s by Mr.Song Wanqing in Dunhua City,Jilin Province.Later,under the promotion of his son Song Junjie,as a state-level intangible cultural heritage,Dao painting has developed and expanded in recent years,spreading all over China.This paper analyzes the unique transformation of landscape painting and the sustainable development of noninheritance under the influence of media reform by analyzing the media materials,creation ideas and painting methods of knife painting,so as to provide reference for the diversified practice and inheritance of landscape painting in the future.

关 键 词：刀笔油画 宋俊杰 媒介材料 非遗传承 

分 类 号：J213[艺术—美术]