检索规则说明:AND代表“并且”;OR代表“或者”;NOT代表“不包含”;(注意必须大写,运算符两边需空一格)
检 索 范 例 :范例一: (K=图书馆学 OR K=情报学) AND A=范并思 范例二:J=计算机应用与软件 AND (U=C++ OR U=Basic) NOT M=Visual
作 者:韩高年[1] 白玉婕 HAN Gao-nian;BAI Yu-jie(College of Chinese Language and Literature,Northwest Normal University,Lanzhou 730070,China)
出 处:《山西大学学报(哲学社会科学版)》2023年第4期70-79,共10页Journal of Shanxi University(Philosophy and Social Science Edition)
基 金:国家社科基金重大招标项目“早期书写与商周秦汉文学关系史研究”(22&ZD260);甘肃省“拔尖领军人才”项目。
摘 要:两周之交,郑国迁至殷商故地,接纳原居虢郐的“殷遗”。郑国居民文化“二元”结构导致《郑风》恋歌日常与狂欢的“二元”对立。这种现象可以从春秋郑国祭祀遗址出土青铜礼器的组合方式、纹饰、铭文的“新郑风格”得到考古学印证。“殷遗”延续了殷商文化与诗歌艺术,并推动其与周人礼乐文化的融合。《郑风》恋歌多“女词”,取“对话体”“两章体”,即为殷商“女乐”与周诗共同影响下的产物。而新郑出土春秋莲鹤方壶之莲瓣造型与《山有扶苏》“莲荷”意象的交相辉映,也共同见证了春秋早期艺术的时代精神。At the turn of the Eastern and Western Zhou dynasties,the state of Zheng relocated to the former land of Yin Shang and accepted the"Yin legacy"of the former residence Guo Kuai.The dual cultural structure of the resi-dents in the state of Zheng led to the binary opposition between routines and revelry of the love songs in Odes of Zheng.This phenomenon can be found in archaeological evidence from the combination of bronze ritual vessels,decorations,and the"new Zheng style"of inscriptions unearthed from the sacrificial sites of the state of Zheng in the Spring and Autumn period.The"Yin Legacy"continued the culture of Yin Shang and the art of poetry,and promoted its integration with the ritual and music culture of the Zhou people.The love songs in Odes of Zheng often use"female image rhetoric",adopting"dialogue style"and"two chapter style",which is the product of the joint influence of the"female musician"of Yin Shang Dynasty and the poetry of Zhou Dynasty.The complementary beau-ty of the lotus petal shape of lotus-crane square pots unearthed in Xinzheng during the Spring and Autumn period and the"Lotus Image"in"Mountain with Fusu"also witness the spirit of the art in the early Spring and Autumn period.
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在链接到云南高校图书馆文献保障联盟下载...
云南高校图书馆联盟文献共享服务平台 版权所有©
您的IP:216.73.216.66