金代词话批评视野下的苏轼论  

On SU Shi from the Perspective of Comments on Ci Hua in Jin Dynasty

作　　者：戴斌 DAI Bin(School of Literature,Nanning Normal University,Nanning,Guangxi 530299,China)

机构地区：[1]南宁师范大学文学院,广西南宁530299

出　　处：《内江师范学院学报》2023年第7期22-26,共5页Journal of Neijiang Normal University

摘　　要：金代词话批评视野下的苏轼论,主要体现在三个维度,即创作主体论、创作特征论以及词史地位论。在创作主体论维度,词论家们肯定苏轼的才华与品行,并为苏轼之误进行辨正。在创作特征论维度,词论家们主要对苏轼“以诗为词”的词学观和词作的创作技巧进行论析。在词史地位论维度,词论家们主要从学者品评和词体发展两个方面论评其在文学史中的地位。金代词话对苏轼的论评从不同的视角将人们对苏轼的认识进行了深化与完善,为更好地把握其人其作提供了坚实的平台。From the perspective of ci hua(discussion on lyrics)in Jin Dynasty(1115-1234),there were three main dimensions in the discussion of SU Shi,namely the creation of the subject,the feature of creation,and the position of ci(lyrics)in literary history in China.In terms of the first one,the experts of ci appreciated SU’s talent and conduct,and corrected his mistakes.Regarding the second one,the ci experts mainly analyzed SU’s ci theory:“poetry adopted as ci”and his creative techniques.As for the last one,the ci experts evaluated SU’s status in literary history from the perspectives of scholarly appraisal and the development of ci style.The criticism of SU by ci hua in Jin Dynasty deepened and improved people’s understanding of SU from different perspectives,providing a solid platform for better grasping his works and personality.

关 键 词：金代词话 苏轼论 创作主体 创作特征 词史地位 

分 类 号：I206.2[文学—中国文学]