《文心雕龙·总术》论“文笔之辨”的意义  

The Significance of the“Analysis of Wen and Bi”in the“Zong Shu”Chapter of Wen Xin Diao Long

作　　者：陈灵心 CHEN Lingxin(School of Literature&Communication,Shaoguan University,Shaoguan 512005,Guangdong,China)

机构地区：[1]韶关学院文学与传媒学院,广东韶关512005

出　　处：《韶关学院学报》2023年第7期44-49,共6页Journal of Shaoguan University

摘　　要：《文心雕龙·总术》相当重视对“文笔之辨”的讨论,却在后代引起不少专家学人的困惑。从时代背景看,“文笔之辨”是六朝文学观念发展特有的产物,此前此后都不曾受到重视,后人读至此处难免会感到陌生与难解;从《文心雕龙》成书体系看,“文笔之辨”既是刘勰结构全书体系的重要原则,也是联结文体论和文术论的关键;从“文笔之辨”对《总术》的意义看,刘勰主要是为了强调“宗经”“正体”两大原则,以达到纠正时弊的功能,为下文谈“晓术”“研术”做好铺垫。“Zong Shu”in Wen Xin Diao Long attaches great importance to the discussion of the“analysis of Wen and Bi”,but it has caused many doubts in later generations.From the background of the times,the“analysis of Wen and Bi”is a unique product of the development of literary concepts in the Six Dynasties,which has not been valued by people before and since,and later generations will inevitably feel strange and difficult to understand.From the writing system of Wen Xin Diao Long,the“analysis of Wen and Bi”is not only an important principle of Liu Xie’s structure of the whole book system,but also a key clue connecting stylistic theory and literary theory.From the significance of“differentiation of writing style”to“Zongshu”,Liu Xie mainly emphasized the two principles of“Zong jing”and“Zheng ti”,so as to achieve the function of correcting some people’s erroneous views on literature at that time,and pave the way for the following discussion of“Yan shu”and“Zong shu”.

关 键 词：刘勰 《文心雕龙》 “总术” 文笔之辨 

分 类 号：I206.2[文学—中国文学]