双重及多重音乐学分析模式的建构设想  

Thoughts on the Construction of Dual and Multiple Musicological Analysis Models

作　　者：宋瑾 Song Jin

机构地区：[1]南京艺术学院,江苏南京210013 [2]中央音乐学院,北京100031

出　　处：《南京艺术学院学报（音乐与表演版）》2023年第3期1-6,102,I0004,共8页Journal of Nanjing Arts Institute:Music & Performance

摘　　要：于润洋提出“音乐学分析”模式30年来,影响了众多音乐学者和学子。这个模式的特点是通过音乐结构分析告诉世人作品的“是什么”(what),又通过社会历史分析告诉人们它的“为什么”(why)。此即“2W”分析模式。如果将表演纳入分析视野,那么就可能用同一种模式分析表演者二度创作的“是什么”和“为什么”,并关联一度创作,从而出现双重音乐学分析模式。进一步将视域扩大到音乐“立美审美”的整个链条,那么就可加入录音师、听众和言说者的多重2W分析,最终出现多重音乐学分析模式。另一条路径是针对音乐思想“播撒”的多重分析,如对于润洋“音乐学分析”的音乐学分析(他分析了什么和为什么如此分析),进而引入评论或对话链条的多重2W分析,形成第二类多重音乐学分析模式。最后还可以对综合艺术作品所有乐人乐事进行多重音乐学分析,构成复杂的2W分析网络。It has been 30 years since Yu Runyang put forward the"musicological analysis"model and it has influenced many music scholars and students.The characteristic of this model is to tell the world what a work is through music structure analysis,and to tell people its"why"through social and historical analysis.This is the"2W"analysis mode.If performance is included in the analysis perspective,it is possible to analyze the"what"and"why"of the performer's second creation using the same model,and associate it with the first creation,resulting in a dual musicological analysis model.Further expanding the scope of vision to the entire chain of music's"aesthetic appreciation",multiple 2W analyses of sound recorders,listeners,and speakers can be added,ultimately leading to the emergence of multiple musicological analysis models.Another approach is to conduct multiple analyses of the"dissemination"of musical ideas,such as the musicological analysis of Yu Runyang's"musicological analysis"(what he analyzed and why he did so),and then introduce multiple 2W analyses of commentary or dialogue chains,forming a second type of multiple musicological analysis model.Finally,multiple musicological analyses can be conducted on all musicians and events in a comprehensive art work,forming a complex 2W analysis network.

关 键 词：音乐学分析 双重2W分析模式 多重2W分析模式 

分 类 号：J601[艺术—音乐] J605