歙县宗祠大木构件装饰空间艺术研究  

The Decorative Space Art of Large Wooden Components of the Ancestral Hall of Shexian County

作　　者：王德才[1] 夏江徽 曹海婴[1] 李阿龙 Wang Decai;Xia Jianghui;Cao Haiying;Li Along

机构地区：[1]合肥工业大学建筑与艺术学院

出　　处：《华中建筑》2023年第8期166-170,共5页Huazhong Architecture

基　　金：国家自然科学基金项目(编号:51978226);合肥工业大学“十四五”科技创新培育重点专项(编号:PA2021KCPY0026)。

摘　　要：以歙县宗祠装饰丰富的大木构件为对象,从装饰的空间分布、文化与形式美艺术表达以及仪式序列表达三个方面详细论述大木构件装饰的空间艺术表达。歙县宗祠大木装饰主要集中于仪门享堂寝殿正立面以及享堂正堂四周木构架之上,其运用对比、重复、衬托等手法,通过空间中装饰丰富度与精细度的差别表达出了礼制与“齐家”的精神空间文化艺术以及空间的协调与节奏韵律之美,并且通过在祭祀仪式过程的各重要节点处构件装饰的精巧安排,使祭祀整体呈现出“追溯过往”“活于现世”以及“寄愿未来”三个序列状态。The wooden frame of the ancestral hall building forms a rich spatial artistic effect in the ancestral hall with its unique structural form and decoration.Taking the wooden components richly decorated in the Shexian Ancestral Hall as the object,the spatial artistic expression of the decoration of wooden components is discussed in detail from three aspects:the spatial distribution of decoration,the artistic expression of culture and formal beauty,and the expression of ritual sequences.The wooden decoration of the Shexian Ancestral Hall is mainly concentrated on the main facade of the Yimen Xiangtang Sleeping Hall and the wooden structure around the Xiangtang Main Hall.We use contrast,repetition,foiling and other techniques to highlight the culture and art of the ceremonial system and the"Qi family"through the difference in the richness and fineness of the decoration in the space,as well as the beauty of spatial coordination and spatial rhythm,and through the exquisite arrangement of the component decoration at the important nodes of the ritual process,the sacrifice as a whole presents three sequence states of"tracing the past","living in the present world"and"wishing for the future".

关 键 词：歙县宗祠 大木装饰 宗族文化 形式美 空间序列 

分 类 号：TU-884[艺术—艺术设计]