大众文化视域下的海派话剧图景  

The Picture of Shanghai Style Drama From the Perspective of Mass Culture

作　　者：尹诗 Yin Shi

机构地区：[1]郑州师范学院传播学院,河南郑州450044

出　　处：《中州学刊》2023年第8期154-159,共6页Academic Journal of Zhongzhou

基　　金：河南省哲学社会科学规划项目“报刊媒介中的现代上海话剧研究”(2021BWX038);河南省科技创新人才支持项目“上海现代话剧接受史”(2021-CX-047)。

摘　　要：20世纪三四十年代的上海,大众文化环境逐渐形成。在大众文化的影响下,海派话剧出现明星制、潮流化等大众文化的特征,其中蕴含着大众文化对于话剧审美经验和美学意义的特殊开发。海派话剧以民间性的坚守推进了民间文化与话剧艺术的有机融合,历史剧的热潮使得剧场成为传诉民间抗敌爱国情怀的独特空间。同时,海派话剧以改良之姿形成兼容不同文化艺术的多维面貌,参与建构了城市生活的公众休闲与流行风尚。大众文化促进了市民性现代品性的提升,有利于深化对海派文学、都市文学意义价值的探寻和思索。The mass culture environment gradually took shape In Shanghai in the 1930s and 1940s.Under its influence,Shanghai style drama was characterized with popular culture such as star system and trend,which contained the special development of mass culture for the aesthetic experience and aesthetic significance of drama,which was reflected in the following three aspects:The Shanghai style drama promoted the organic integration of folk culture and drama art with the adherence of the people.The upsurge of historical drama made the theater a unique space to convey the patriotic feelings of the people against the enemy.Shanghai style drama formed a multi-dimensional appearance compatible with different cultures and arts with the appearance of improvement.Drama participated in the construction of public leisure and popular fashion of urban life.Mass culture promoted the enhancement of the modern character of citizens,and was conducive to deepening the exploration and thinking of the significance and value of Shanghai literature and urban literature.

关 键 词：大众文化 海派话剧 市民文学 

分 类 号：I234[文学—中国文学]