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作 者:周洋 Zhou Yang(Jingdezhen Ceramic Research Institute,Jingdezhen,333000;Zhou Yang Ceramic Art Studio,Jingdezhen,333000)
机构地区:[1]景德镇陶瓷研究院,景德镇333000 [2]周洋陶瓷艺术工作室,景德镇333000
出 处:《陶瓷研究》2023年第4期115-117,共3页Ceramic Studies
摘 要:粉彩山水瓷画自清代雍正时期兴起以来,水墨技法即在创作中得到运用,并在各个时期形成不同的发展状况。水墨技法在当代粉彩山水瓷画中的运用仍非常普遍,除了传统水墨技法的运用表现以外,创作者还将水墨技法与写实技法、没骨技法和综合材料结合起来进行运用。水墨技法在当代粉彩山水瓷画中的运用具有重要的文化传承意义、社会需求意义和变革创新意义。Since the rise of pastel landscape porcelain painting during the Yongzheng period of the Qing Dynasty,ink and wash techniques have been applied in creation,and different development situations have emerged in different periods.The application of ink and wash techniques in contemporary pastel landscape porcelain paintings is still very common.In addition to the expression of traditional ink and wash techniques,creators also combine ink and wash techniques with sketching techniques,boneless techniques,and comprehensive materials for application.The application of ink painting techniques in contemporary pink landscape porcelain painting has important cultural inheritance significance,social demand significance,and innovation significance.
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