他者视角下的歌唱——以《爱我中华》等四首歌曲为例谈彝风流行歌曲创作  

Singing from the perspective of others:on Yi style in pop song composising with four songs such as"Love My China"as an example

作　　者：施咏 Shi Yong

机构地区：[1]南京师范大学音乐学院

出　　处：《乐府新声（沈阳音乐学院学报）》2023年第2期29-36,共8页The New Voice of Yue-Fu(Journal of the Shenyang Conservatory of Music)

基　　金：江苏高校哲学社会科学重大课题“多维视角下中国当代流行音乐创作的民族化研究”(项目编号:2022SJZD112)。

摘　　要：本文以《爱我中华》《九百九十九朵玫瑰》《我是天真》《是你给我爱》四首歌曲为个案,从他文化视角探讨海菜腔、跳月等彝族民间音乐元素及其与汉、壮、苗、傣等其他民族音乐元素相融合的创作运用之道,认为非彝族音乐家借鉴彝族音乐元素融入流行音乐创作时,以其泛民族、泛地域音乐观念彰显出更多的多元性与时尚性以及更有助于大众传播的普适性,可作为对彝族本土原创流行音乐的互补与拓展,并在两者的合力下使“彝风”歌曲得到更为广泛的传播,以实现对优秀彝族传统音乐文化资源的创新性传承和创造性转化。In this paper,four songs,"Nine hundred and ninety-Nine Roses","I am Naive","You give Me Love"and"Love My China",are taken as case studies.From the perspective of other cultures,this paper discusses the folk music elements of the Yi nationality,such as Haicaiqiang and Tiaoyue,and the way of composing and application of their integration with other folk music elements such as Han nationality,Zhuangnationality,Miao nationality and Dai nationality.It holds that when non-Yi musicians incorporate the elements of Yi music into the composing of popular music,their pan-ethnic and pan-regional music concepts demonstrate more diversity,fashion and universality conducive to mass communication,which can be used as a complementary and expansion of the original popular music of Yi nationality,and make"Yi style"songs more widely spread under the combined force of the two.To realize the innovative inheritance and creative transformation of excellent traditional Yi music cultural resources.

关 键 词：流行音乐创作 《九百九十九朵玫瑰》 《我是天真》 《是你给我爱》 《爱我中华》 

分 类 号：J605[艺术—音乐]