论“以象拟象”的意象批评方法  

On the Method of Image Criticism“Using Image to Simulate Image”

作　　者：陈娟 CHEN Juan

机构地区：[1]华东师范大学中国语言文学系

出　　处：《中国文艺评论》2023年第7期83-93,I0003,共12页China Literature and Art Criticism

基　　金：2023年中央高校基本科研业务费专项资金资助项目“清代前期诗学中的意象思想研究”(项目号:YBNLTS2023-048)的阶段性成果。

摘　　要：意象批评法是中国古代诗学中长期存在的一种批评方法,以象拟象是其核心所在。以象拟象指的是以创造批评意象的形式来表达审美感受和审美判断。以象拟象以“象”贯通创作活动与批评活动,将批评活动置于言—象—意的三元结构之中,是审美思维与逻辑思维的统一。用以拟象之“象”即批评意象,往往具有较为稳定的文化意涵,其与文学意象相通,可以相互转化。审美感受是独特的、个性化的,因此以象拟象的意象批评法并无程式可言,创造性是其根本特征。以象拟象的意象批评法适用于各种艺术类型、艺术活动的各环节,是中国传统诗性智慧的集中表现。Image Criticism is a long-standing critical method in ancient Chinese poetics,the core of which is to use image to simulate image.Using image to simulate image refers to using the form of creating critical image to express aesthetic feeling and aesthetic judgment.It is the unity of aesthetic thinking and logical thinking to use image to simulate image to connect creative activity and critical activity with image and place critical activity in the ternary structure of word-image-meaning.The image used to simulate the image is the critical image,and the critical image often has a relatively stable cultural connotation,which is connected with the literary image and can be transformed into each other.Aesthetic feeling is unique and individual,so the critical method of simulating image with image is without formula,and creativity is its fundamental characteristic.The critical method of simulating image with image is applicable to all kinds of art types and every link of art activities,and is the concentrated expression of traditional Chinese poetic wisdom.

关 键 词：以象拟象 意象批评 象思维 意象 言象意 

分 类 号：I206.09[文学—中国文学]