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作 者:牛飞 岳婧津 曹成铭 NIU Fei;YUE Jingjin;CAO Chengming(Shenzhen Museum,Shenzhen 518026,China)
机构地区:[1]深圳博物馆,广东深圳518026
出 处:《文物保护与考古科学》2023年第4期129-136,共8页Sciences of Conservation and Archaeology
摘 要:探索漆木器制备工艺尤其是髹漆工艺,以获取能用于文物保护修复的重要信息,针对两件待上展金漆木雕的保存现状,进行了X射线荧光能谱分析、红外光谱分析、激光拉曼光谱分析、微观形貌分析以及X射线探伤等无损分析。根据分析检测结果,按照不改变文物原状、最小干预、真实性等文物修复基本原则,对文物进行保护修复,对这两件漆木器进行清理、消杀处理,对木胎残缺处进行补配和随色,对漆皮起翘、脱落严重的部位进行漆皮回贴和漆层补全,处理后状态稳定,具有一定的耐久度,达到了展览和长期安全存放的目的。By exploring the processes of making lacquered wood artifacts,especially the lacquering process,we can obtain important information useful for the conservation and restoration of cultural relics.The preservation status of two gold lacquered wood carvings to be exhibited was assessed using X-ray fluorescence spectrometry,infrared spectrometry and laser Raman spectrometry,micro-morphology analysis and X-radiography.Based on the testing and analysis results,and in compliance with the basic principles of cultural relic restoration(such as not changing the original state of cultural relics,minimum intervention and authenticity,etc.),we conducted conservation and restoration by cleaning and disinfecting the two artifacts,complementing and coloring the wooden cores,reattaching and completing the lacquer layer,which had serious warping and was falling off.After this treatment,the artifacts are in stable states and show certain durability.These efforts have achieved the purposes of exhibition and safe,long-term storage.
分 类 号:K876.7[历史地理—考古学及博物馆学]
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